Signed Art Deco pair of lamps by Pierre d’Avesn, France around 1930.
This elegant pair of French Art Deco table lamps features a refined interplay of geometric form and decorative elegance. The sharply tapered metal base with silver bronze finish contrasts harmoniously with the finely stepped frosted glass shades, which diffuse light softly and evenly throughout the space. The structured surface of the glass enhances the sculptural appearance and creates a warm, atmospheric lighting effect.
The distinctive silhouette and meticulous craftsmanship give these lamps a strong presence, making them a perfect addition to both classic and modern interiors. Their compact size makes them ideal for side tables, consoles, or as accent lighting in living or reception areas.
Thanks to their timeless design and authentic Art Deco character, these lamps are not only practical lighting objects, but also collectible design pieces with lasting value.
Pierre d'Avesn
The French glass artist, Pierre d’Avesn (1901-1990), received his training at the École Nationale Supérieure des Arts Décoratif and from René Lalique, where at the age of 14 he learned the technique of glass casting in molds developed by Lalique. In 1927 he moved to Paul Daum in Croisemare (Verrerie d'Art Loraine) and became head of production and design. He was allowed to sign his own top pieces with his name.
Daum Frères
Jean Daum (1825-1885) bought the "Verrerie Sainte-Catherine" in Nancy in 1878 and called it "Verrerie de Nancy". His sons Auguste Daum (1853-1909) and Antonin Daum (1864-1930) renamed the glassworks Daum Frères. Auguste ran the factory, while Antonin took over the management of the art department. Since around 1891, the company specialized in the production of art glass with the characteristic floral decorations. Like Emille Gallé, vases, boxes and lamps were made in the style of antique cameo glass.
In the 1920s, Auguste's sons, Jean and Paul Daum (1888-1944), changed the style from Art Nouveau to Art Deco. Due to the high demand, Daum opened another crystal factory in Croismare in 1925, with Paul as director. However, during the economic crisis of the 1930s, this factory had to close, whereas the company in Nancy was able to survive the crisis. In 1945, the family resumed operations in Nancy and converted it into a joint-stock company in the early 1960s.
